"Nora Aunor
Actress
Nora Aunor is a critically acclaimed Filipino actress, recording artist, and film producer. Aunor has also topbilled several stage plays, television shows, and concerts. Wikipedia
Born: Nora Cabaltera Villamayor
May 21, 1953 (age 60)
Iriga City, Camarines Sur, Philippines, Iriga
Nationality Filipino
Other names: Guy, Ate Guy
Occupation: Actress, singer, producer, recording artist
Years 1967-present
active:
Personal life:
Aunor was married to award winning actor Christopher de Leon on Jan. 25, 1975 in a civil ceremony with whom she has one child who was born on December 11, 1975, actor Ian De Leon. On January 27, 1976, they renewed their marriage. This time it was Father Alleysius Rodriguez who officiated the wedding.[18] They also have two adopted daughters, actors Lotlot De Leon[19] and Matet de Leon and 2 adopted sons Kiko and Kenneth. However, the marriage didn't last long and they separated; she was annulled to de Leon in 1996. According to Matet on her interview, Nora is very affectionate and tender as a mom and she treats them equally even though they are not blood related.[20] Aunor became a permanent resident of the United States in 2008, but she retains her Philippine citizenship. In 2011, she came back to the Philippines to resume her acting and singing career after 8 years on hiatus.[21][22].
Children:
Lotlot de Leon
Ian Kristoffer De Leon
Matet de Leon
Kiko Villamayor
Kenneth Villamayor
Early Life and Education:
Aunor was born in Baryo San Francisco, Iriga, Camarines Sur in Bicol Region. Her parents are Antonia Cabaltera and Eustacio Villamayor, she has 9 more siblings including Eddie Villamayor a former actor.[14] When Nora was growing up, it was her grandmother (Lola Theresa) who taught her how to sing and the first song she learned was The Way of a Clown. Mamay Belen (aunt) on the other hand, taught her the right diction, interpretation and expression while singing and took her under their custody and from whom she got her screen name.[15] Nora became a Champion at the Darigold Jamboree Singing Contest singing her winning piece You and the Night and the Music and after that she won another singing contest, The Liberty Big Show. Nora entered the national singing contest Tawag ng Tanghalan where she was defeated on her first try and became a champion on her second try. The Grand National Finals of Tawag ng Tanghalan was on May 29, 1967, where she sang Moonlight Becomes You.[16]
Nora went to Mabini Memorial College['59-'60] when she was in grade I and transferred to Nichols Air Base Elementary School['60-'62] when she reached grade II and III; She then entered Iriga Central Elementary School ['62-64'] as a grade IV and V student and went back to Mabini Memorial College ['65-'65] to finished her primary education and entered her first year in high school ['65-'66]. She then transferred to Centro Escolar University-Parañaque where she became a student on her second and third year in high school and again in ['70-71] as a fourth year high school student.[17].
Awards: Asian Film Award for Best Actress
Nominations: Asian Film Award for Best Actress
Notable dialogue terms:
"I did not... kill.. Anybody!" - Flor Contemplacion Story (1995)
"Walang Himala!"("There is no miracle!") - Himala (1982)
"My Brother is not a Pig"- from the film Minsa'y Isang Gamu-Gamu (1979)
"Nasaan, Nasaan Si Bernadette at Melody!" ("Where Where are Bernadette and Melody!") - From the TV Series Bituin (2002–2003)
"Hindi mo mabibilang ang luhang galing sa puso." ("You can't count the tears from the heart") - From the TV Series Sa Ngalan ng Ina (2011)
"Umalis ka sa harapan ko. Sasampalin kita!" ("Get out of my sight. I'll slap you!") - From the TV Series Sa Ngalan ng Ina (2011)
Artistry: As a recording artist, Nora Aunor possessed a Lyric Contralto and Mezzo-soprano vocal range.
Acting Style:
Aunor is one of the best actresses not only in the Philippines but in the world, this is evident to her numerous acting awards and nominations received in the Philippines and abroad. Her brand of underacting is incomparable, she could act through her eyes, she says everything that needs to be said without uttering a word. Her silence hits the ground like thuds and words would only cheapen the moment.[132] Throughout her film career, Aunor followed the Stanislavski Method of Acting a method wherein actors have to take their inner selves and use them as their device for character internalization.[133] This was evident in her very first serious role, Mario O’Hara’s Tatlong taong walang Diyos. A perfect example would be the scene wherein Rosario (Aunor) is standing near a cliff, wanting to kill her newborn child. The camera zoomed into a closeup of her, making us the viewer feel the confusion, anger, and despair through her eyes. Her face registered all those emotions effectively that what we are watching on the screen is Rosario and not Nora Aunor. Himala, is also one of the examples of Aunor's brand of acting; silent, subtle yet very powerful. She showed the same acting style in Thy Womb it was practically a wordless performance, her face alone registering a tidal wave of emotions — sadness and joy, resentment and resignation, pain and ecstasy, defeat and triumph, often all at once.[134] Surprisingly, Aunor was not a graduate or part of any acting school or institution. She never had any formal training but she learned it on the job, collaborating with the best directors in the industry like Lamberto Avellana, Gerardo de Leon, Lino Brocka, Ishmael Bernal, Mario O'Hara, Brillante Mendoza and the list would go on."^ ^;...
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